Please Come to the Show at MoMA
Two months ago I wanted to find some inspiration for an upcoming project – I was thinking about a design for a showcard/invitation to my husband’s solo show in Paris. And so, by some chain of hyperlinks I discovered that
Please Come to the Show at MoMA
Two months ago I wanted to find some inspiration for an upcoming project – I was thinking about a design for a showcard/invitation to my husband’s solo show in Paris. And so, by some chain of hyperlinks I discovered that
2013 Venice Biennale, The Encyclopedic Palace
“On November 16, 1955, self-taught Italian-American artist Marino Auriti filed a design with the U.S. Patent Office depicting his Palazzo Enciclopedico (The Encyclopedic Palace), a museum that was meant to house all the world’s knowledge. Auriti worked on his brainchild
2013 Venice Biennale, The Encyclopedic Palace
“On November 16, 1955, self-taught Italian-American artist Marino Auriti filed a design with the U.S. Patent Office depicting his Palazzo Enciclopedico (The Encyclopedic Palace), a museum that was meant to house all the world’s knowledge. Auriti worked on his brainchild
Influences: Leonard Koren
I first heard about Leonard Koren when I was studying design at California College of the Arts from 2005-2008. Angie Wang, typography instructor extraordinaire and principal of the San Francisco studio Design Is Play, mentioned his book “Wabi-Sabi: for Artists,
Influences: Leonard Koren
I first heard about Leonard Koren when I was studying design at California College of the Arts from 2005-2008. Angie Wang, typography instructor extraordinaire and principal of the San Francisco studio Design Is Play, mentioned his book “Wabi-Sabi: for Artists,
Chris Burden’s TV Commercials from the 70’s
These are so subversive, and really put the idea of advertising in a new context. Via weisslink/c-monster/MOCA tv
Chris Burden’s TV Commercials from the 70’s
These are so subversive, and really put the idea of advertising in a new context. Via weisslink/c-monster/MOCA tv
The Gourmand
Magpile just announced its 2012 magazine awards, and I can’t wait to get my hands on a copy of The Gourmand. LONG LIVE PRINT!
The Gourmand
Magpile just announced its 2012 magazine awards, and I can’t wait to get my hands on a copy of The Gourmand. LONG LIVE PRINT!
The Museum of Online Museums
I might be a little late to the party on this one, but The Museum of Online Museums is making me want to get laid off so that I can spend all day looking at every post and every article in every
The Museum of Online Museums
I might be a little late to the party on this one, but The Museum of Online Museums is making me want to get laid off so that I can spend all day looking at every post and every article in every
The Water (Sandy)
I created this concrete poem from the newspaper on the day of Hurricane Sandy’s East Coast landfall.
The Water (Sandy)
I created this concrete poem from the newspaper on the day of Hurricane Sandy’s East Coast landfall.
John Gall + Rodrigo Corral
This cover by Rodrigo Corral is my personal favorite of Gall’s ongoing art direction for Vintage/Anchor’s Nabokov reissue series. More about that here.
John Gall + Rodrigo Corral
This cover by Rodrigo Corral is my personal favorite of Gall’s ongoing art direction for Vintage/Anchor’s Nabokov reissue series. More about that here.
The Adirondack Hermit
In 1929, when he was 46 years old, this small man called Noah John Rondeau, “not well satisfied with the world and its trends” began to live year-round at Cold River. He came out of the woods on occasion for
The Adirondack Hermit
In 1929, when he was 46 years old, this small man called Noah John Rondeau, “not well satisfied with the world and its trends” began to live year-round at Cold River. He came out of the woods on occasion for
GRAPHICALIZE 